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Beautiful and conceited Alicia Matcham leads us through an intriguing web of deceit in search of a killer who is, bizarrely, welcomed by her family. This exciting, gripping crime novel is full of suspense and delivers a thrilling final twist.Saturday 10 June 1933, and one of Charles's Whitten's bridge players collapses at the table, apparently from natural causes. Charles's youngest daughter Patty is convinced it's murder and pleads with her sister Alicia - a party girl with connections - to help discover the truth. Their brother William is a penniless drunkard, their mother ingenuous, Patty naive, their father Charles all bluff and bluster and then there is John the seductive butler. It feels as though Alicia is in one of the new Agatha Christie murders: there were four people in the card room, surely one must be the murderer?
In 1945, as part of the Occupation forces sent to postwar Japan Nick Zappetti, a native of Italian East Harlem, entered a world as strange as any he had ever know, In postwar Tokyo, however, he realised there were certain opportunities. He had a failed stint as a professional wrestler, and participated in a fumbled (but famous) diamond heist. He was deported but managed to return with the assistance of the Mafia. Then Nick opened a pizza joint in what would be the centre of Tokyo's nightlife and became "e;the king of Roppongi and Mafia boss of Tokyo,"e; and the intimate of some of Japan's most notorious underworld figures as well as many of its political and business leaders.Following Zappetti's rising and falling fortunes, and his love-hate relationship with his adopted country, Robert Whiting show us the sinister (and sometimes ridiculous) goings-on among Tokyo's traditional criminal gangs as they developed from local racketeers and gamblers into lynchpins of international finance, politics and corruption. Here is a fresh perspective on postwar Japan and how it went from being a defeated nation to an economic player, with a little help from some less than diplomatic friends.
In the sixteenth century, the people of England witnessed the physical transformation of their most valued buildings: their parish churches. This is the first ever full-scale investigation of the dramatic changes experienced by the English parish church during the English Reformation. By drawing on a wealth of documentary evidence, including court records, wills and church wardens' accounts, and by examining the material remains themselves - such as screens, fonts, paintings, monuments, windows and other artefacts - found in churches today, Robert Whiting reveals how, why and by whom these ancient buildings were transformed. He explores the reasons why Catholics revered the artefacts found in churches as well as why these objects became the subject of Protestant suspicion and hatred in subsequent years. This richly illustrated account sheds new light on the acts of destruction as well as the acts of creation that accompanied religious change over the course of the 'long' Reformation.
This is a major investigation of the English Reformation, based primarily on original research in the south-west. Dr Whiting's controversial conclusion is that for most of the population the Reformation was less a conversion from Catholicism to Protestantism than a transition from religious commitment to religious passivity or even indifference.
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