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This book represents a major re-assessment of Dante's Inferno, and of the place which the Inferno occupies in the plan of the whole Commedia. On evidence drawn also from the Paradiso and Purgatorio, Dr Kirkpatrick argues that Dante's thinking and poetry are subject to far greater internal tension than is commonly supposed.
This text examines the influence Italian and English writers have had on each other and looks at both the similarities and the differences between the two literary traditions. The historical, social and intellectual developments between the two countries in the early Renaissance are explored.
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