Books by Rod Giblett

Tracing the life and work of Rod Giblett, a leading local wetland conservationist, environmental activist and pioneer transdisciplinary researcher and writer of fiction and non-fiction, Black Swan Song weaves together memoir, essay, story, and criticism. It provides ways of living and being with the earth in dark and troubled times.

The author came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, this book traces the life of the plants and animals of the surrounding area through the seasons. It provides a cultural and natural history of this place.

New Lives of the Saints presents for the first time the works and work of many environmental apostles. It delights and inspires the reader to begin or continue to lead a life of environmental action for conservation and contemplation of nature for spiritual succor in the age of climate change.

In Canadian Wetlands, Rod Giblett critiques the Canadian canon's popular representation of wetlands and proposes alternatives by highlighting the work of recent and contemporary Canadian authors, such as Douglas Lochhead and Harry Thurston, and by entering into dialogue with American writers.

Provides a fresh account of landscape photography which focuses on the settler societies of the United States and Australia. This title demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.

Using the rich and vital Australian Aboriginal understanding of country as a model, People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture. This book demonstrates the problems inherent in the notion that humans have a mastery over the Earth and projects what needs to change.

This lively new study is a critical cultural history of communication technologies, from railways and telegraphy to computers and the Internet, in which Rod Giblett argues that these technologies play a pivotal role in the cultural history of modernity and its project of the sublime.