Books by Roland Faber

The Garden of Reality addresses urgent questions around the relativity of religious truth, religious pluralism, transreligious discourse, postmodern cosmology, and interspiritual mysticism in order to argue that relativity and multiplicity are inevitable for the multireligious conviviality and peace of the humanity of the future.

Process theology has been a major theological innovation of the last hundred years, and its influence on American theology has been pervasive. But process thought is far from being simply an American phenomenon. Throughout the last few decades, some of the most exciting work in process theology has been undertaken in Asia and Europe. Now that...

11 essays by leading Whitehead scholars re-examinae Whitehead s Barbour-Page lectures, published as the book Symbolism: Its Meaning and Effect in 1927, to give you exciting insights into the contemporary implications of Whitehead's symbolism in an era of new scientific, cultural and technological developments.

The Divine Manifold is a postmodern enquiry in intersecting themes of the concept and reality of multiplicity in a chaosmos that does not refuse a dimension of theopoetics, but rather defines it in terms of divine polyphilia, the love of multiplicity. In an intricate play on Dante's Divine Comedy, this book engages questions of religion and philosophy through the aporetic dynamics of love and power, locating its discussions in the midst of, and in between the spheres of a genuine philosophy of multiplicity. This philosophy originates from the poststructuralist approach of Gilles Deleuze and the process philosophical inspirations of Alfred N. Whitehead. As their chaosmos invites questions of ultimate reality, religious pluralism and multireligious engagement, a theopoetics of love will find paradoxical dissociations and harmonizations with postmodern sensitivities of language, power, knowledge and embodiment. At the intersection of poststructuralism's and process theology's insights in the liberating necessity of multiplicity for a postmodern cosmology, the book realizes its central claim. If there is a divine dimension of the chaosmos, it will not be found in any identification with mundane forces or supernatural powers, but on the contrary in the absolute difference of polyphilic love from creativity. Yet, the concurrent indifference of love and powerits mystical undecidability in terms of any conceptualizationwill lead into existential questions of the insistence on multiplicity in a world of infinite becoming as inescapable background for its importance and creativeness, formulating an ecological and ethical impulse for a mystagogy of becoming intermezzo.