Books by Romila Thapar

A powerful history of the long tradition of political dissent in India published at a moment when the very idea of dissent is under attack.

Many popularly held views about the past need to be critically enquired into before they can be taken as historical. For instance, what was the aftermath of the raid on the Somanatha temple? Which of us is Aryan or Dravidian? Why is it important for Indian society to be secular? When did communalism as an ideology gain a foothold in the country? How and when did our patriarchal mindset begin to support a culture of violence against women? Why are the fundamentalists so keen to rewrite history textbooks?The answers to these and similar questions have been disputed and argued about ever since they were first posed. Distinguished historian Romila Thapar has investigated, analyzed and interpreted the history that underlies such questions throughout her career; now, in this book, through a series of incisive essays she argues that it is of critical importance for the past to be carefully and rigorously explained, if the legitimacy of our present, wherever it derives from the past, is to be portrayed as accurately as possible.

NA

The claim that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, a distinguished scholar of ancient India, guides us through a panoramic survey of the historical traditions of North India, revealing a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy amid social change. Spanning an epoch from 1000 BCE to 1400 CE, Thapar delineates three strains of historical writing: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina monks and scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptional evidence, regional accounts, and literary forms such as royal biographies and drama are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa's fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.

A history of India upto 1300 AD introducing the beginnings of India's cultural dynamics