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In the 1960s hundreds of thousands of young Westerners, inspired by Kerouac and the Beatles, blazed the 'hippie trail' overland from Istanbul to Kathmandu in search of enlightenment and a bit of cheap dope.Since the Summer of Love, the countries that offered so much to these dreamers have confronted the full force of modernity and transformed from worlds of Western fantasy to political minefields.Through a landscape of breathtaking beauty Rory MacLean retraces the path of the once well-worn 'hippie trail' from Turkey to Iran, Afghanistan to Pakistan, India to Nepal, meeting trail veterans and locals on his way, and relives wide-eyed adventures as he witnesses a world of extraordinary and terrifying transformation.
The first single-volume biography of Berlin, one of the world's great cities - told via twenty-one portraits, from medieval times to the twenty-first century.
'Crazy, charming, a delight' - John le CarréIn Rory MacLean's groundbreaking debut travel book, Winston the pig drops on to Uncle Peter's head and kills him dead. Unwilling to be left alone in her house Aunt Zita, a faded Austrian aristocrat and a vivacious eccentric, hijacks her nephew and, together with Winston, sets out on one last ride. The Berlin Wall has fallen only weeks before and Zita is determined to reach across the reopened borders and rediscover her remarkable east European family. In a rattling Trabant the unlikely trio puff and wheeze across the changing continent, following the threads of memory. Zita's relations - the angel of Prague, the Hungarian grave digger who buried Stalin's nose, a dying Romanian propagandist - help tie together the loose ends of her life. They picnic at Auschwitz. They meet Lenin's embalmer. They carry a long-lost corpse over the Carpathian mountains. Through war and revolution, decay and regeneration, Stalin's Nose is a surreal and darkly comic ride and a portrait of Europe like no other.
The memory of a brief visit to Burma had haunted Rory MacLean for years. A decade after the violent suppression of an unarmed national uprising, he seized the chance to return. This is a portrayal of contemporary Burma, a country that is shot through with desperation and fear, but also blessed with beauty and courage.
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