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Don't, for God's sake, come back alive 'cause we don't want to see your ugly stumps and your ugly scars. We don't want to hear your midnight screams and tales of hell. We all got along nicely without you, thank you very much, and now you're back you remind us things we'd much rather forget. More convenient, ain't it? To have a dead hero. A dead hero don't have complaints. A dead hero don't even have a voice.Jack stayed on when the guns fells silent, to search the battlefields for the boys that could not go home - for the dead and the missing, for both enemy and friend. And amongst the rusty wire and unexploded bombs, Jack is looking for something - looking for someone. He has a promise to keep and debt to repay, and now there is this strange request from the generals.A story of comradeship, betrayal and of promises both broken and kept following the carnage of World War One from the acclaimed writer of Casualties, Ross Ericson. It received its world premiere at the Edinburgh Festival Fringe 2015 before embarking on a UK tour.
"Being on a tightrope is living, everything else is waiting."When Gary Maddocks rejoins Mike Evans and his Counter IED Team in Afghanistan he is pleased. He has been finding life back home with Emma dull and is impatient to get back to the job he loves, but if he had known what fate had in store for him would he have been so eager? Of course he would: it's like an addiction, and if your luck runs out there's nothing you can do about it, is there? But was it bad luck, faulty equipment, or something worse? Mike has been acting strange lately and Emma appears to be hiding something.When you step on a pressure plate you think you hear the click, or you think you feel it, but you don't know for sure. And you can't know because what you remember . . . well some of it isn't real.Ross Ericson's play Casualties explores how love, friendship and truth are not so certain in the context of war.
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