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Books by Rudolf Arnheim

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    - A Psychology of the Creative Eye
    by Rudolf Arnheim
    £23.49

    "In "The Ego and the Id "Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it."--Jonathan Fineburg, author of "Art since 1940: Strategies of Being"

  • - Eine Psychologie des schopferischen Auges
    by Rudolf Arnheim
    £44.49

    Die Kunst der Bildanalyse ist so alt wie die Kunst selbst. Arnheims Anleitung zum Sehen ist aber immer noch so jung wie bei ihrem ersten Erscheinen 1954. Kaum ein Buch hat Generationen von Lesern so einfach und so grundlich in die Welt der Kunst eingefuhrt. Kaum ein Buch schlug so seine Leser von Anfang an in ihren Bann. Woran liegt dies? Arnheim ist in seinen Schriften ein immer verstandlicher Vermittler. An einfachen Beispielen beleuchtet er behutsam und kritisch das Wechselspiel von Form und Farbe, Raum und Licht, Bewegung und Gleichgewicht. Am Ende der Lekture wird der Leser kaum bemerkt haben, wieviel Material ihm prasentiert worden ist: von der Steinzeit bis zu Picasso.

  • Save 14%
    - An Essay on Disorder and Order
    by Rudolf Arnheim
    £17.99

    An essay that attempts to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.

  • Save 17%
    by Rudolf Arnheim
    £24.99

    Explores the unexpected perceptual consequences of architecture.

  • Save 16%
    by Rudolf Arnheim
    £20.99

    Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. This title states that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading.

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