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This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city. -- .
It used to be that a woman's choices were fairly simple: she went to school, got married, stayed married to the same man - for better or worse - and raised children. Standards of conduct and morality were widely accepted, and generally we knew what was expected.This is no longer the case. Today we can have a career, full-time or part-time, at home or away from home, or we can focus our energy and time solely on family and volunteer work. We can get married or stay single, have children - the 'regular way' or through adoption - or not. But choices do not necessarily make life easier - they often make life more difficult, because they produce guilt, self-doubt and stress.With compassion and insight Ruth Haley Barton identifies the pressure exerted on Christian women - by church, culture and from within - and the radical call of Christ to each of us to be free. Exploring eleven freedoms available in Jesus, she shows how Christian women can respond to the genuinely liberating call of Christ on their lives.
From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores films from and about Ireland.
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