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Shakespeare¿s last plays, the tragicomic Romances, are notoriously strange plays, riddled with fabulous events and incredible coincidences, magic and dream. First published in 1987, this book offers a reading of the plays which invokes the findings and methods of post-psychoanalytic semiotics.
In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night , the concept of a dynamic of comic form is developed.
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