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Robert Lovelace, an 18th century rake, follows "The Rake's Creed" in his quest to corrupt Clarissa Harlowe, a young lady of high reputation and esteem, and the only lady in England who seems to have the strength to resist the humor and charms of Mr. Lovelace. This collection of letters includes reconstructed letters alluded to in the original nine volumes, corrects dates, and as Mr. Lovelace writes, "As it is my intention, in all my reflections, to avoid repeating, at least dwelling upon, what I have before written to thee," we have done him justice by removing his repetitive reflections. This book is a companion to Samuel Richardson's classic novel, Clarissa Harlowe; or the History of a Young Lady.
Samuel Richardson's massive seven volume history appeared in 1754, and even Jane Austen could not resist the charms of Sir Charles Grandison. The book is referenced in Northanger Abbey, and Austen herself re-wrote Sir Charles Grandison for an audience of her peers. Now, in the 21st century, The History of Charles Grandison has once again been edited, revised, and modernized. Sir Charles Grandison rescues Miss Harriet Byron from a vile plot. However, he must untangle past intrigues before his history joins his future.
Samuel Richardson (1689-1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.
Samuel Richardson (1689-1761) was a highly regarded printer and influential novelist when he produced his final work of fiction, The History of Sir Charles Grandison (1753). Like his other novels, it was written in epistolary form, reflecting his lifelong interest in letter writing and the letter as a genre. Covering the period 1750-1754, many of these fully annotated letters are published from manuscript for the first time, or have been restored to their complete original form. Recording Richardson's relationships with leading cultural figures including Samuel Johnson, Colley Cibber and Elizabeth Carter, the volume reveals his support for other authors while struggling to complete his own 'story of a Good Man'. This publishing saga also incorporates Richardson's responses to the Irish piracy of his novel, and his exchanges with anonymous fans, including those who attacked the novel's tolerance for Catholicism and those who pleaded for a sequel.
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