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Presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.
An indispensable lexicon for film theory, defining over 500 critical terms. It contains references to the work of key figures such as Peirce, Doane, Genette and Derrida and examples drawn from the films of directors like Welles, Varda and Hitchcock.
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