Books by Sarah Cooper

A guide to conquering the corporate meeting. It helps you learn the essential subtle tricks that pay big dividends by making you look really clever in meetings: constant nodding, pretend concentration, useless rhetorical questions, how to nail the big presentation by pacing and getting someone else to control your slides.

Rylee Marie Woods, is a talented model-student who simply vanished from her room on a cold September night. Rylee embarks on a mysterious journey to learn more about her dark past, she encounters danger, and a young man who seems to know a lot about her and eventually falls in love with her. Now Rylee must face her true fears face to face, as an everlasting journey into the dark space of her foreboding past haunts her until her mission is complete.

From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.

Chris Marker's importance has been recognized by critics from his earliest films onwards. Marker explores the relation between fact and fiction in memory as in documentary, in words and in images that work both with and against one another. This title presents an overview of the filmmaker.

A number of women's issues serve to create novel policy problems that require creative, and sometimes unique, regulatory and legal responses. This book embarks upon a comparative case study approach to explore UK policymaking in the areas of abortion, rape, prostitution and pornography in turn. Each chapter engages a different institutional perspective to explore the influence of a range of bodies such as the legal system, medical profession, civil society, police force and mass media. The analysis reveals a common thread that runs throughout decision-making in these areas; a constant balancing act between regulation that purports to protect women, and regulation that supposedly reflects female liberation, with a continual dance between the labels of ';criminal' and ';victim' being performed by policy actors. Largely reflective of a dogmatic approach to the status of women, it is argued that different institutions retain strongholds over policymaking in these domains, prohibiting a joined-up approach. This has served to perpetuate harmful and negative stereotyping of women's issues and create countless conundrums when the activities of women fall into more than one policy category.