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Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass-whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass-to resonate with the period's complex visuality and achieve their artistic goals.
This book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still.
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