Books by Sarah Schulman

Sarah Schulman illuminates the differences between Conflict and Abuse in this revelatory book that addresses the contemporary culture of scapegoating.

In this gripping memoir of the AIDS years (1981-1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation's imagination and the consequences of that loss.

"Needy," "high-risk," "vulnerable," "slow." When the words people use to describe themselves are the same as the labels in their case files, what does that say about how our social welfare systems shape the identity and possibilities of those who use them? In 2014, three disability organizations asked an international team of designers and social scientists to help them understand and address lived experiences of social isolation. The team moved into a social housing complex in the "loneliest city" in Canada, Vancouver, in order to get to know their neighbours with and without disabilities. The project resulted in a five-year journey of partnership and team building, co-design and prototyping, failure and learning. The social sector is stuck. Seventy years since the rollout of the modern welfare state, Canada is left with a cracked and overburdened old-world system that struggles to provide basic care. Human needs for connection, belonging, purpose and agency are largely forgotten, or actively thwarted, which prevents people from living towards their potential. Whether it is in the disability sector, or in mental health and addictions, homelessness, immigration and refugee services, youth at risk, etc., the patterns are the same: cultures of compliance; rigidity and inflexibility; deeply embedded assumptions, rhetoric and ideology; the constant recycling of similar solutions; counting up the things that don't really matter; hoarding power and control. But how do you change it? How do you reshape a giant ecosystem with engrained approaches, habitual reactions and vested interests? Instead of going big, Tulloch and Schulman suggest going small. They articulate a series of twelve strategies, or "stretches," that will enable organizations to reach in new directions. Things like attending to beauty, purpose, and identity, and designing roles that activate community capacity and bridge people to it. The aggregate of those efforts across time and contexts, they argue, can lead to a gradual repurposing of the social safety net. This book is for anyone who plays a role in the social service system ecosystem, whether you are a frontline worker, manager or leader; researcher or policymaker; part of a vocational training or social worker program; a government funder, community foundation or philanthropist; or a professional association. It's also for social innovators and intrapreneurs trying to bring change to communities and organizations. Lastly, it's for social scientists and designers who are curious to see applications of their methods to the redesign of the welfare state.

'A book of resistance and love, as urgently necessary now as it was thirty years ago' Olivia Laing First published in 1990, discover this blistering novel about a love triangle in New York during the AIDS crisis.

At once a memoir, a call to support the Boycott, Divestment and Sanctions movement, and an argument for queer solidarity across borders, this book tells the story of how novelist and activist Sarah Schulman's became aware of how issues of the Israeli occupation of Palestine were tied to her own gay and lesbian politics.

This reissued novel takes readers on a "wry and playful" (Out!) tour of lesbian sex, politics, and art in New York City. The city's sizzling - especially at the Kitsch-Inn, where the girls are mounting an all-female production of A Streetcar Named Desire.

Offers a part gossipy narrative, part behind-the-scenes glimpse into the New York theatre culture, and part polemic on how mainstream artists co-opt the work of marginal artists. This book uses the suspicions of copyright infringement to initiate a larger conversation on how AIDS and gay experience are represented in American art and commerce.