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Jacques Ranciere's work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the ""politics of aesthetics"" and the ""aesthetics of politics""?
Phantom Communities reconsiders the status of the simulacrum-sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model-in light of recent debates in literature, art, philosophy, and cultural studies.
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