Books by Scott MacDonald

As the most successful and influential film society in American history, Cinema 16 was a crucial organization for the creation of a public space for the full range of cinema achievement in the years following World War II. This title provides a sense of the life and work of the society, using the complete Cinema 16 program announcements.

This book is intended for students, policy makers, lawyers and experts in the field of substance use and crashes. I describe in simple terms epidemiological issues important for understanding whether conclusions from studies are justifiable and discover numerous myths and truths about cannabis and driving.

Are you trying hard but still fearful, overloaded, and unsure?Inside you will find a simple structure for powerful change.Nutrition: Eat more! Learn what, when, why and how to eat.Learn about why you haven’t been able to do that already.Physical Wellness: A simple program you can do anywhere,structured for a “no time for myself” life. Sustainable by anyoneat any level.Pregnancy and Your Relationship: What you can expect to happenthroughout the pregnancy and what you can do to support her and yourself.“Tremendous! Acknowledging what every expectant father feels, but never admits. His Adrenaline Factor plan informs and inspires men to get in front of their fatherhood fears with leadership and participation. Wish I’d read this 35 years ago before my first son was born!”Bob MuellerSpeaker, Author, Emmy Award Winning Artist

Among the problems that will have to be faced, according to the author, are Cuba's role as an active middleman in the drug trade, the U.S. market for illegal drugs, the impact of the drug trade on U.S. policy in the region, and the interrelationship of the drug problem to the Latin Americn debt crisis.

Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key sources, MacDonald offers a lively chronicle of the life and times of this influential, idiosyncratic film exhibition and distribution collective. His book features many primary documents that are as engaging and relevant now as they were when originally published, including essays, poetry, experimental writing, and drawings.

A compilation of interviews and public discussions with major contributors to independent filmmaking and film awareness. It features interviews reflecting a wide range of approaches to filmmaking.

American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.

This study provides a systematic overview of drug control efforts in the 1980s and the 1990s. It points to 10 major trends in current developments and to 3 probable shocks in the immediate future, assessing targets and networks for combatting the drug trade in the next decade.

A collection of interviews with some of the most accomplished 'critical' filmmakers. It demonstrates the sophistication of their thinking about film (and a wide range of other concerns) and offers an introduction to this important area of independent cinema.

A collection of thematically related personal essays and conversations with filmmakers. It takes us on a journey into many under-explored territories of cinema. It illuminates topics including race and avant-garde film, the political implications of the nature film, and the inventive single shot films of the late 1960s and early 1970s.

A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media.