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One of the finest and most unusual autobiographies written in contemporary India.In this unusual, extraordinary autobiography, Shanta Gokhale-writer, translator and one of India's most illuminating cultural commentators-traces the arc of her life over eight decades through the progress of her body, as it grows, matures and begins to wind down. Starting with her birth in 1939-in philosophic silence, till the doctor's slap on her bottom made her bawl-she recounts her childhood, youth and middle and old age in chapters built around the many elements and processes of the physical self: tonsils and adenoids, breasts and misaligned teeth; childbirth and fluctuating weight, cancer and bunions. And through these memories emerge others, less visible but just as defining: a carefree childhood growing up in a progressive Marathi household in Mumbai's Shivaji Park; the pleasures, in adolescence, of badminton, Kathak and hairdressing; the warmth of friends and an almost love in cold England; finding and losing a mate-twice-and bringing up her children as a single parent; the great thrill of her first translation from Marathi into English; nursing her mother, dying of cancer, as she would a baby; surviving cancer herself, and writing her second novel through the recovery.Told with effortless humour and candour, One Foot on the Ground is the story of a life full of happiness, heartbreak, wonder and acceptance. It will rank among the finest personal histories written in India.
A collection of writings by an incandescent and gloriously eclectic intellectual of contemporary India.For over four decades, Shanta Gokhale has entertained, informed and challenged us with her insightful, witty and forthright writing in both English and Marathi. With rare objectivity and consistency, Gokhale has tried to decode our unique social etiquette while subtly exposing our hypocrisies, and celebrated tradition-defying women while forcefully criticizing the patriarchal and misogynistic structures of society. Her essays on theatre not only illustrate its evolution in India, but also provide arresting portraits of theatre personalities such as Satyadev Dubey, Vijay Tendulkar and Veenapani Chawla. And her detailed yet accessible articles on Indian classical music are a delight to read.In her short stories, she shapeshifts effortlessly from old men to teenage boys and college students. And finally, her two takes on Shakespeare show us how the Bard's ideas continue to remain relevant and, more importantly, how little attention he paid to his women characters.Candid, intense and often humorous, The Engaged Observer is also an invaluable record of the social, political and cultural changes that have taken place in Bombay, Mumbai and beyond.
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