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A study of the cinematic history of the Weimar Republic. It examines German history from 1921 to 1933 in light of such movies as "The Cabinet of Dr Caligari", "M", "Metropolis", and "The Blue Angel". It is suitable for the film historian, film theorist, or cinema enthusiast.
Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after the eminent emigre's exile to America.
A study of the relationship between past and present, and the relation between histories in different levels of generality. One after another Siegfried Kracauer examines various theories of history and exposes their strengths and weaknesses.
Explores the distinctive qualities of the cinematic medium. This book takes its place alongside works in classical film theory by such figures as Bela Balazs, Rudolf Arnheim, and Andre Bazin, among others, and has met with much critical dispute.
Siegfried Kracauer was one of the twentieth century's most brilliant cultural critics, a daring and prolific scholar, and an incisive theorist of film. In this volume his finest writings on modern society make their long-awaited appearance in English. This book celebrates the masses-their tastes, amusements, and everyday lives.
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