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As London became the first major city of the nineteenth century, new models of representation emerged in the journalism, poetry, fiction, and social commentary of the period. Simon Joyce argues that such writing reflected a persistent worry about the problem of crime but was never able to contain it.
Takes a look at the ways that the twentieth century reacted to and reimagined its predecessor. This work considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; and the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian.
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