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The most authoritative social, cultural and narrative history of the French Revolution, and one of the great landmarks of modern history publishing.'Monumental...provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
Simon Schama is University Professor of Art History and History at Columbia University. His award-winning books, translated into fifteen languages, include Citizens, Landscape and Memory, Rembrandt's Eyes, A History of Britain, The Power of Art, Rough Crossings, The American Future, The Face of Britain and The Story of the Jews: Finding the Words (1000 BCE - 1492). His art columns for the New Yorker won the National Magazine Award for criticism and his journalism has appeared regularly in the Guardian and the Financial Times where he is Contributing Editor. He has written and presented more than fifty films for the BBC on subjects as diverse as Tolstoy, American politics, and The Story of the Jews and is co-presenter of a new landmark series on the history of world art, Civilisations.
A wide-ranging collection of essays written by the award-winning writer and historian over his forty-year career, chosen by the man himself.
Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibitionChurchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century, the poet-artist Rossetti trying to capture on canvas what he couldn't possess in life, a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death.In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama's extraordinary storytelling reveals the truth behind the nation's most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.
Not - as often imagined - of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.
Simon Schama, the author of Landscape and Memory and Citizens, sets out to tell the history of two certainties, of two deaths. In discussing the 'speculations' surrounding them, he finds himself involved in a history he cannot classify - the unpredictable history of stories
Passionate, provocative, entertaining and informative, Scribble, Scribble, Scribble ranges far and wide: from cookery and family to Barack Obama, from preaching and Shakespeare to Victorian sages, from Charlotte Rampling and Hurricane Katrina to 'The Fate of Eloquence in the Age of The Osbournes'.
Change - sometimes gentle and subtle, sometimes shocking and violent - is the dynamic of Simon Schama's unapologetically personal and grippingly written history of Britain, especially the changes that wash over custom and habit, transforming our loyalties.
Rough Crossings is the astonishing story of the struggle to freedom by thousands of African-American slaves who fled the plantations to fight behind British lines in the American War of Independence.
* 'Great art has dreadful manners...' Simon Schama observes at the start of his epic exploration of the power, and whole point, of art.
Examining issues of power, race and immigration, religious fervour and prosperity, this masterful portrait of the world's most controversial superpower looks backwards and forwards to understand why now, more than ever, the fate of America, and by extension the rest of the world, is hanging in the balance.
Asks crucial questions about the nature of empire, journeying from celebrations of industrial and imperialist power at the Great Exhibition, to the catastrophic Irish potato famine and the Indian Mutiny. Alongside flamboyant heroes, like Nelson and Churchill, the author also recalls unsung heroines and virtually unknown enemies.
Simon Schama explores the forces that tore Britain apart during two centuries of dynamic change - transforming outlooks, allegiances and boundaries. From the beginning of July 1637, battles raged on for 200 years - both at home and abroad, on sea and on land, up and down the length of burgeoning Britain, across Europe, America and India.
As the American War of Independence reaches its climax, a plantation slave and a British Naval Officer embark on a journey in search of freedom. This novel is a true story that marks the 200th anniversary of the abolition of the slave trade in the British Empire.
A reissue of Simon Schama's landmark study of the Netherlands from 1780-1813, this is a tale of a once-powerful nation's desparate struggle to survive the treacheries and brutality of European war and politics.
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