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Focusing on colonial and postcolonial Lagos, Stephanie Newell traces the ways in which urban spaces come to be regarded as dirty by showing how colonial perceptions of dirt and cleanliness structured colonial governance, urban planning, public health policies, and relationships between colonists and native Lagosians.
Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation.
Charts the story of the English novelist and poet, John Moray Stuart-Young (1881-1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. This book pays attention to different forms of West African cultural production in the colonial period.
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