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Facing an economic crisis in the 1980s, the Hollywood moved to control the ancillary markets of videotape, video disk and pay-cable. The studios found themselves targeted for acquisition by global media and communications companies. This book examines the transformation that took Hollywood from the production of theatrical film to media software.
Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events.
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