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Championing what it sees as a family of mischaracterized and undervalued actions and attitudes, this book proposes a new understanding of human behavior, one that encourages self-limitation and restraint.
"Many human beings have considered the powers and the limits of human knowledge, but few have wondered about the power that the idea of knowledge has over us. Steven Connor's The Madness of Knowledge is the first book to investigate this emotional inner life of knowledge - the lusts, fantasies, dreams, and fears that the idea of knowing provokes. There are in-depth discussions of the imperious will to know, of Freud's epistemophilia (or love of knowledge), and the curiously insistent links between madness, magical thinking, and the desire for knowledge. Connor also probes secrets and revelations, quarreling and the history of quizzes and "general knowledge," charlatanry and pretension, both the violent disdain and the sanctification of the stupid, as well as the emotional investment in the spaces and places of knowledge, from the study to the library. In an age of artificial intelligence, alternative facts, and mistrust of truth, The Madness of Knowledge offers an opulent, enlarging, and sometimes unnerving psychopathology of intellectual life."--Jacket flap.
Dream Machines is a history of imaginary machines and the ways in which machines come to be imagined. It considers seven different kinds of speculative, projected or impossible machine: machines for teleportation, dream-production, sexual pleasure and medical treatment and cure, along with 'influencing machines', invisibility machines and perpetual motion machines. The process of imagining ideal or impossible forms of machinery tends backwards or inwards, allowing a way for imagination itelf to be conceived as a kind of machinery, or ingenious engineering. Machines suggest to us ways of imagining the machinery we take ourselves to be, the workings not only of immune systems and neural networks, but also of dreams, desires and aspirations. This reflexivity means that representations of machines are always suffused with intense feeling. The larger aim of Dream Machines is to isolate a strain of the visionary that may be involved in all thinking and writing about machines. An imaginary machine may also be a way of imagining other kinds of thing that a machine can do and be. This is the sense in which all machines may in fact be said to be forms of media; for we have always dreamed of and with machines, always therefore dreaming through the machines we have been dreaming about.
Providing a new philosophical understanding of sport, which defines what sport essentially is and means by setting out a complete grammar of sport, treating in turn its essential elements, A Philosophy of Sport will inform, surprise and delight those who have always thought sport should be taken more seriously.
This anthology explores all the major critical approaches to Dickens of the 1970s-1990s, including psychoanalytic, deconstructive, discourse-analytic, feminist and Marxist, enabling the reader to compare and contrast different treatments of particular Dickens novels.
Gathers together interpretations of Beckett's best-known plays, illustrating a range of theoretical approaches from deconstruction to reader-response theory, psychoanalysis and feminism. Steven Connor has written books on Dickens, Beckett and Postmodernist culture.
Considers the work of the most influential postmodern theorists, including Lyotard and Jameson, and offers accounts both of the work of newly emerging theorists and new areas of postmodernist culture which have developed over the years, especially in law, music, dance, spatial theory, ethnography, ecology, and the new technologies.
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