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Books by Sue Miller

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  • - Cuban Dance Music in New York
    by Sue Miller
    £28.49 - 84.99

    Examines in rich detail the playing styles and international influence of important figures in US Latin music. Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York

  • by Sue Miller
    £7.99 - 16.49

  • - Making Your Children's Ministry the Best Hour of Every Kid's Week
    by Sue Miller
    £12.49

    Estrategias para el ministeiro infantil

  • - Interpretation and Improvisation
    by Sue Miller
    £84.49

    Richard Egues and Jose Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachach. Despite the commercial success of their recordings with Orquesta Aragon and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists.In Cuban Flute Style: Interpretation and Improvisation, Sue Millermusic historian, charanga flute player, and former student of Richard Eguesexamines the early-twentieth-century decorative style of flute playing in the Cuban danzon and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egues. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egues, Joaqun Oliveros, Polo Tamayo, Eddy Zervigon, and other renowned players. Miller also covers techniques for flutists seeking to learn the styleincluding altissimo fingerings for the Boehm flute and fingerings for the five-key charanga fluteas well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.

  • by Sue Miller
    £11.99

    Sue Miller's finest novel yet is a poignant masterpiece about the deepest, truest things about family life - of death and love, growing up and growing older

  • by David Staal
    £9.49

    Promiseland is Willow Creek's highly successful children's ministry. Using examples from Promiseland and churches of all sizes around the country, this book provides step by step guidance and creative application exercises to help churches develop a thriving children's ministry-one that strives to be the best hour of every kid's week. Included are Scripture-based principles and practical resources for church staff members and volunteers who agree with the critical role children's ministry plays in a local church. Making Your Children's Ministry the Best Hour of Every Kid's Week, based on twenty-eight years of experience at Willow Creek, explains four ministry foundations: Mission, Vision, Values, and Strategy. Content includes: Detailed answers to questions facing every children's ministry: * What does Jesus expect from children's ministry? * How can we evangelize lost kids and disciple saved kids at the same time, and should we? * How do we engage kids so they don't become bored? * How do we get better at recruiting and leading volunteers? * How can our ministry be a safe place for children? * Six specific ministry values that address the needs of today's children * Practical first steps for ministries that want to get serious about change * Clear indicators of success in children's ministry

  • by Sue Miller
    £7.99

    In the spring of 1986, Sue Miller found herself more and more deeply involved in caring for her father as he slipped into the grasp of Alzheimer's disease. This book provides an account of her father's final days and her own response to it.

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