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Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of various cultural forms - notably the visual arts, poetry, theatre, music, and dance - to grapple with human values in the increasingly heterodox world of the 1600s.
Divided into four parts: Interpretation and Polemics, Gender and Sexuality, Popular Music, and Early Music. Each of the essays treats music as cultural text and has an interdisciplinary appeal. This title is intended for those interested in the life and times of a renegade musicologist.
Exploring the ways that shared musical practices transmit social knowledge, this book offers an account of our own cultural moment in terms of two dominant traditions: tonality and blues. It tackles big issues concerning classical, popular, and postmodern repertoires and their relations to the broader musical worlds that create and enjoy them.
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