Books by Sylvia Plath

I was supposed to be having the time of my life.When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath's own life and descent into mental illness, and has become a modern classic. The Bell Jar has been celebrated for its darkly funny and razor sharp portrait of 1950s society and has sold millions of copies worldwide.

Contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963.

Bell Jar, a captivating novel penned by the iconic Sylvia Plath, is a title that warrants your attention. This engrossing piece of literature, which was published in 2022, is a testament to Plath's profound understanding of the human condition. The genre of the book, which is a blend of autobiographical and psychological elements, is a testament to the author's ability to weave a complex narrative that is as thought-provoking as it is engaging. The Bell Jar is a testament to Plath's ability to capture the complexities of the human psyche with an unparalleled level of depth and sensitivity. Published by the renowned Faber And Faber Ltd., this book is a must-have for any literature enthusiast. If you're a fan of deeply introspective and emotionally charged literature, then Bell Jar is a title that you simply cannot afford to miss.

I 1953 vinder den 19-årige Esther Greenwood en måneds praktikophold i New York på et modemagasin. Som del af en gruppe talentfulde unge kvinder bliver hun indlogeret på hotel og inviteret ind i New Yorks fashionable verden med modeshows og fester. Esther vil gerne være digter og er en klartskuende og ret så nådesløs iagttager af det liv, der omgiver hende, men selv er hun mere og mere apatisk. Hjemkosten til Boston, hvor Esther bor med sin mor, bliver et chok. Hun får afslag på det skrivekursus, hun har ansøgt om, og sommeren ligger skræmmende tom foran hende. Efter et mislykket selvmordsforsøg bliver hun indlagt på psykiatrisk hospital. En glasklokke har sænket sig over hende. GLASKLOKKEN er nyoversat i af Mette Moestrup og Olga Ravn.

Lips the colour of blood, the sun an unprecedented orange, train wheels that sound like 'guilt, and guilt, and guilt': these are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom. 'But what is the ninth kingdom?' she asks a kind-seeming lady in her carriage.

A timeless collection of stories for younger children.In the eponymous The It-Doesn't-Matter Suit, little Max Nix is on a quest to find the perfect suit he can go ice-fishing, cow-milking and town-walking in. There's magic afoot in Mrs Cherry's Kitchen and children will love to find their perfect Nighty-night little / Turn-out-the-light little Bed! in The Bed Book.

Originally published in 1960, The Colossus was the only volume of Sylvia Plath's poetry published before her death in 1963. Showing a scholarly dedication to the craft, the poems in this collection are brimming with originality and the startling imagery that would later confirm her status as one of the most important poets of the twentieth century. 'On every page, a poet is serving notice that she has earned her credentials and knows her trade.' Seamus Heaney 'She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poetess. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously . . . There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss.' A. Alvarez in the Observer

Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and includes many of her most-celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'.

I lay there alone in bed, feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the silver capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.The writings in this collection outline Plath's early preoccupation with issues of mental illness, creativity and femininity, all of which would become recurrent themes in her later work. They offer special insight into her development as a writer, and arguably paved the way for her only full-length piece of prose writing, the loosely veiled fictional autobiography, The Bell Jar.This second edition contains the thirteen stories included in the first edition together with five pieces of her journalism, as well as a few fragments from her journal; and a further nine stories selected from the Indiana archive.

Includes interviews, features, and other extras.

Sylvia Plath was, for both English and American poetry, one of the defining voices of twentieth-century, and one of the most appealing: few other poets have introduced as many new readers to poetry. Though she published just one collection in her lifetime, The Colossus, and a novel, The Bell Jar, it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, Crossing the Water and Winter Trees in 1971, which helped to make Sylvia Plath a household name. Hughes's careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work.This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

The Letters of Sylvia Plath Volume I: 1940-1956Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry.

The poems in this collection were all written in the last nine months of Sylvia Plath's life, and form part of a group from which the Ariel poems were chosen. Her radio play 'Three Women', also included here, was written slightly earlier, in the transitional period of The Colossus and Ariel.'A book that anyone seriously interested in poetry now must have . . . Sylvia Plath's immense gift is evident throughout.' Martin Dodsworth in the Guardian

The Journals of Sylvia Plath offers an intimate portrait of the author of the extraordinary poems for which Plath is so widely loved, but it is also characterized by a prose of vigorous immediacy which places it alongside The Bell Jar as a work of literature. These exact and complete transcriptions of the journals kept by Plath for the last twelve years of her life - covering her marriage to Ted Hughes and her struggle with depression - are a key source for the poems which make up her collections Ariel and The Colossus.'Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now . . . The struggle of self with self makes the Journals compelling and unique.' John Carey, Sunday Times

Upon the publication of her posthumous volume of poetry Ariel in 1965, Sylvia Plath became a household name. Readers may be surprised to learn that the draft of Ariel left behind by Plath when she died in 1963 is different from the volume of poetry eventually published to worldwide acclaim.This facsimile edition restores, for the first time, the selection and arrangement of the poems Sylvia Plath left at the point of her death. In addition to the facsimile pages of Sylvia Plath's manuscript, this edition also includes in facsimile the complete working drafts of the title poem 'Ariel' in order to offer a sense of Plath's creative process, as well as notes the author made for the BBC about some of the manuscript's poems, including 'Daddy' and 'Lady Lazarus'In her insightful foreword to this volume, Frieda Hughes, Sylvia Plath's daughter, explains the reasons for the differences between the previously published edition of Ariel as edited by her father, Ted Hughes, and her mother's original version published here. With this publication, Sylvia Plath's legacy and vision will be reevaluated in the light of her original working draft.

The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the ObserverThis beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.

Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. This title offers an examination of her poetry.