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T H White, author of The Sword in The Stone, The Once and Future King, The Goshawk, and many other works of English literature, died in Greece from a heart attack in 1964, aged 57. The eminent novelist and critic Sylvia Townsend Warner was asked to write his biography, now republished for a new generation. The biography was published in 1967 and was Warner’s greatest critical success since her first novel, Lolly Willowes (1926). It reveals White’s passion for life, for learning, and for animals and birds, particularly hawks and dogs; his self-exile to Ireland during the Second World War, the creation of The Sword in the Stone, the first in the tetralogy The Once and Future King, and the unexpected wealth and fame that came with the Disney cartoon of the same name, and the Broadway musical Camelot. Warner treats White’s repressed sexual predilections with humane understanding in this wise portrait of a tormented literary giant, written by a novelist and a poet.
In the course of her brilliant career Sylvia Townsend Warner wrote superbly in many and diverse forms but never penned a memoir, properly speaking. However, from the 1930s to the 1970s she did contribute a series of short reminiscences to the New Yorker. Scenes of Childhood collects and orders those reminiscences, thus forming a volume that reads as a joyous, wry and moving testament to the experience of being alive. The collection evokes a recognisably English world of nannies, butlers, pet podles, public schools, 'good works' and country churches, but the resonances of these stories are universal - funny and touching by turns.
The Reverend Timothy Fortune, ex-clerk of the Hornsey Branch of Lloyds Bank, has spent ten years as a South Seas Island missionary when a 'maggot' impels him to embark on what he describes as a 'sort of pious escapade' - an assignment to the even more remote island of Fanua, where a white man is a rarity.Mr Fortune is a good man, humble, earnest - he wishes to bring the joys of Christianity to the innocent heathen. But in his three years on Fanua he makes only one convert - the boy Lueli, who loves him. This love, and the sensuous freedom of the islanders produces in Mr Fortune a change of heart which is shattering...Beautifully imagined, the paradise island and its people are as vivid as a Gauguin painting. Told with the driest of wise humour, touching and droll by turns, its theme - that we can never love anything without messing it about - is only one of the delights of this enchanting book.
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