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The union of women artists and painters was founded in Paris in 1881 to represent the interests of women artists and facilitate the exhibition of their work. This is a history of the first 15 years of the organization which places it in the context of the Paris art world in the 19th century.
Charts the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century. This book focuses on six canonic paintings and how they illuminate evolving social attitudes and aesthetic concerns in France over the course of the century.
Offers fresh perspectives on the African archive, reimagining its diverse histories and changing meanings. This title investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios.
Looks at two different genres in relation to the construction of femininity in late nineteenth-century France - Degas' representation of ballet dancers and the transforming tradition of female portraiture.
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