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Traces the ways utopian visions of communication have played themselves out in particular contexts of Israeli society through the twentieth century, encapsulating central trends in the evolving Israeli cultural conversation over the years.
This study develops a communication-centred perspective of heritage museums, exploring their socio-cultural role as arenas for the production of collective memory. Also analyzed is the social legitimation and identity formation they produce through the interplay of the local and the global.
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