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Offers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Tanya Horeck examines a range of audiovisual true crime texts, and considers the extent to which the genre has come to epitomize participatory media culture.
In Public Rape Tanya Horeck considers the public investment in images of rape and the figure of the raped woman.
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