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Fahrelnissa Zeid (1901-1991) was one of the most influential Turkish artists, best known for her large-scale abstract paintings.
This publication explores the history of conceptual art in Britain during its most exciting and innovative period, from the mid 1960s, to the election of Margaret Thatcher in 1979.
Through carefully chosen themes and topics rather than through a general survey, this title approaches the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. It includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating.
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