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The New England Journal of Medicine is one of the most important general medical journals in the world. Doctors rely on the conclusions it publishes, and most do not have the time to look beyond abstracts to examine methodology or question assumptions. Many of its pronouncements are conveyed by the media to a mass audience, which is likely to take them as authoritative. But is this trust entirely warranted?Theodore Dalrymple, a doctor retired from practice, turned a critical eye upon a full year of the Journal, alert to dubious premises and to what is left unsaid. In False Positive, he demonstrates that many of the papers it publishes reach conclusions that are not only flawed, but obviously flawed. He exposes errors of reasoning and conspicuous omissions apparently undetected by the editors. In some cases, there is reason to suspect actual corruption.When the Journal takes on social questions, its perspective is solidly politically correct. Practically no debate on social issues appears in the printed version, and highly debatable points of view go unchallenged. The Journal reads as if there were only one possible point of view, though the American medical profession (to say nothing of the extensive foreign readership) cannot possibly be in total agreement with the stances taken in its pages. It is thus more megaphone than sounding board. There is indeed much in the New England Journal of Medicine that deserves praise and admiration. But this book should encourage the general reader to take a constructively critical view of medical news and to be wary of the latest medical doctrines.
The cultural death of God has created a conundrum for intellectuals. How could a life stripped of ultimate meaning be anything but absurd? How was man to live? How could he find direction in a world of no direction? What would be tell his children that could make their lives worthwhile? What is the ground of morality?Existentialism is the literary cri de coeur resulting from the realization that without God, everything good, true and beautiful in human life is destined to be destroyed in a pitiless material cosmos. Theodore Dalrymple and Kenneth Francis examine the main existentialist works, from Ecclesiastes to the Theatre of the Absurd, each man coming from a different perspective. Francis is a believer, Dalrymple is not, but both empathize with the struggle to find meaning in a seemingly meaningless universe.Part literary criticism, part philosophical exploration, this book holds many surprising gems of insight from two of the most interesting minds of our time.
In this, Theodore Dalrymple’s second collection of short stories, he begins to let his imagination run. The absurdity of modern life is fully laid bare when taken to extremes. You will laugh through your tears. ***Satire is prophecy.— Theodore Dalrymple
Theodore Dalrymple, almost singlehandedly, revived the languishing Essay and in so doing became Britain’s answer to Montaigne. In this, his first foray into the Short Story form, he proves himself a rival of Anton Chekhov. His many devoted fans will be delighted.--------------------------------Some truth can be told only in the form of fiction. That is why I chose to write these stories. — Theodore Dalrymple
A searing account of life in the underclass and why it persists as it does, written by a British psychiatrist.
A beautifully-written and thought-provoking collection of essays on social, political and literary issues as diverse as the Jonathan Ross/Russell Brand controversy, violent crime on Britain''s streets, the effects of the welfare state, modern architecture and the respective merits of Shakespeare and Dr Johnson. Dalrymple uses examples from his long career as a prison doctor and his travels to every corner of the globe to illustrate his central view: that Britain is in the throes of social, cultural and political decline.
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