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An elegant new edition of Bernd and Hilla Becher's classic black-and-white photographic study of industrial buildings.
Clement Greenberg (1909-94), champion of abstract expressionism and modernism has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. This title assesses Greenberg's writings, and features the approaches to the man and his work.
"Joseph Beuys", "Andy Warhol", "Yves Klein", and "Marcel Duchamp" form an unlikely quartet, but they each played a singular role in shaping a avant-garde for the 1960s and beyond. The author binds these artists through another connection: the mapping of the aesthetic field onto political economy.
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