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If Tony Hall was to be true to his faith, he must find a way to bring God into the political world in which he worked. He realized, as he watched a doctor combing the crowds of starving Africans in Ethiopia looking for a half-dozen lives he could save, that he would travel among the hungry and bring their needs to the attention of Washington.
RED HOUSE [Fire! Fire!], by Tony Hall and Lordstreet Theatre, is a 'play on reality' where the reality of the play within the play becomes the reality of the play. ***********************************************************on RED HOUSE [Fire! Fire!]". . . a blend of politics, sex and fun . . . there is a graphic sexuality and blatant physicality which successfully generates an energy around the historical foundation upon which the play rests."Melissa BehrensTrinidad ExpressMarch 18th 1999on the MUD! ritual"Honesty, integrity of purpose, intelligence, and true personal conviction -- the conviction of a lifetime of making sense of the world . . . " Professor Milla RiggioTrinity College, Hartford, CTOctober 22nd 2001
This book examines and illustrates the potential of narrative technology, the integration and synthesis of storytelling and digital media in education.
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