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This is a major critical study of Henrik Ibsen by a leading literary theorist. Toril Moi offers a radical reappraisal of Ibsen's place in the birth of modernism and the origins of modern theatre, his influence on other writers, and the connection between his visual imagination and his plays.
This book examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French, paying particular attention to the works of Cixous, Irigaray and Kristeva.
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