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This 1968 study argues that there is greater unity in Chaucer's Canterbury Tales than has been supposed. He sees the Tales as as great religious poem, a Christian work of art in which certain topics deliberately recur, so that the Tales in sequence take on the nature of a debate.
In Metaphor and Film, Trevor Whittock demonstrates that feature films are permeated by metaphors that were consciously introduced by directors. An examination of cinematic metaphor forces us to reconsider the nature of metaphor itself, and the ways by which such visual imagery can be recognised and understood, as well as interpreted.
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