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Art theory', understood as those forms of aesthetics, art history and criticism which began in the Enlightenment and culminated in 'high modernism', is now at an end.
Victor Burgin, an artist and sophisticated theoretician of the image was born in Sheffield, England, in 1941. He established himself on the international art scene in the late sixties, as one of the fathers of Conceptual Art. This is a compendium of the history of contemporary American art and a testimony of a sincere and active protagonist.
Explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of 'self' and 'us' - in imaginary spatial and temporal relations to 'other' and 'them' - through the all-important relay of images.
Addresses the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. This title examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy.
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