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This book reinserts Marianne Moore into the cultural history of modernism by examining her role as editor of The Dial between 1925 and 1929, the magazine most closely associated with the rise of modernism to cultural legitimacy
Examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and writing in 'the age of mechanical reproduction'.
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