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Attilio Teruzzi, Mussolini's commander of the Black Shirts, exemplified fascism's obsession with male strength. Through the story of his broken marriage to a young Jewish American opera star, Victoria de Grazia explores the cult of masculinity on which the New Rome was to be built, revealing the seductive appeal of fascism.
This is a study of the dopolavoro or fascist leisure-time organization, the largest of the regime's mass institutions. Cutting across economic and regional lines, embracing industrial workers, pesants, and salaried employees, this new arena of public life contributed to fascism's ability to remain in power throughout the depression years.
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