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This book attempts to make the study of racism and media accessible to everyone, by defining terms and discussing methods that help develop more critical perspectives towards the messages of the mass media in general, and towards race specifically.
Vincent F. Rocchio combines Lacanian psychoanalysis with narratology and Marxist critical theory to examine the previously neglected relationship between Italian Neorealist films and the historical spectators they address.
Analyzes specific films to demonstrate how they participate in the process of racism.
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