Books by Wallace Thurman

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIES Celebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'Why not? She's just as a good as the rest, and you know what they say, "the blacker the berry, the sweeter the juice"'Growing up, Emma Lou Morgan stuck out - her skin was the darkest in every room, even within her own home. With the encouragement of her uncle, Emma flees smalltown Idaho firstly to study in Los Angeles before travelling to Harlem. Though she enjoys the glamour of attending the theatre and the buzz of cabaret, every excursion is tinged with the fear of discrimination. Even in big cities, Emma cannot escape the bigotry of colourism, but can she change how it makes her feel about herself?The Blacker the Berry is an arrestingly vivid portrayal of how very deeply every facet of prejudice runs.'Thurman's novel presents some of the most layered portrayals of New York City life...from seedy employment agency waiting rooms to swank Harlem hot spots' NPR

The Messenger was the third most popular magazine of the Harlem Renaissance after The Crisis andOpportunity. Unlike the other two magazines, The Messenger was not tied to a civil rights organization. Labor activist A. Philip Randolph and economist Chandler Owen started the magazine in 1917 to advance the cause of socialism to the black masses. They believed that a socialist society was the only one that would be free from racism.The socialist ideology of The Messenger "the only magazine of scientific radicalism in the world published by Negroes," was reflected in the pieces and authors published in its pages. The Messenger Reader contains poetry, stories, and essays from Paul Robeson, Zora Neale Hurston, Wallace Thurman, and Dorothy West.The Messenger Reader, will be a welcome addition to the critically acclaimed Modern Library Harlem Renaissance series.

The groundbreaking Harlem Renaissance novel about prejudice within the black community   Emma Lou Morgan’s skin is black. So black that it’s a source of shame to her not only among the largely white community of her hometown of Boise, Idaho, but also among her lighter-skinned family and friends. Seeking a community where she will be accepted, she leaves home at age eighteen, traveling first to Los Angeles and then to New York City, where in the Harlem of the 1920s she finds a vibrant scene of nightclubs and dance halls and parties and love affairs . . . and, still, rejection by her own race. One of the most widely read and controversial works of the Harlem Renaissance, and the first novel to openly address prejudice among black Americans and the issue of colorism, The Blacker the Berry . . . is a book of undiminished power about the invidious role of skin color in American society.  For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.