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A collection of ¿addictively readable¿ daybook poems from a leading cultural critic and poet
'Properly analytical ... always entertaining' TIME OUT'Should tempt both those generally familiar with Andy Warhol and, even more, young people who have trouble imagining how popular art can challenge the status quo' L A TIMESPainter, filmmaker, photographer, philosopher, all-round celebrity, Andy Warhol is an outstanding cultural icon. He revolutionised art by bringing to it images from popular culture - such as the Campbell's soup can and Marilyn Monroe's face - while his studio, the Factory, where his free-spirited cast of 'superstars' mingled with the rich and famous, became the place of origin for every groundswell shaping American culture. In many ways he can be seen as the precursor to today's 'celebrity artists' such as Tracey Emin and Damian Hirst. But what of the man behind the white wig and dark glasses? Koestenbaum gives a fascinating, revealing and thought-provoking picture of pop art's greatest icon.
Wayne Koestenbaum considers the meaning of humiliation in this eloquent work of cultural critique and personal reflection.The lives of people both famous and obscure are filled with scarlet-letter moments when their dirty laundry sees daylight. In these moments we not only witness the reversibility of "success," of prominence, but also come to visceral terms with our own vulnerable selves. We can't stop watching the scene of shame, identifying with it and absorbing its nearness, and relishing our imagined immunity from its stain, even as we acknowledge the universal, embarrassing predicament of living in our own bodies. With an unusual, disarming blend of autobiography and cultural commentary, noted poet and critic Wayne Koestenbaum takes us through a spectrum of mortifying circumstances-in history, literature, art, current events, music, film, and his own life. His generous disclosures and brilliant observations go beyond prurience to create a poetics of abasement. Inventive, poignant, erudite, and playful, Humiliation plunges into one of the most disquieting of human experiences, with reflections at once emboldening and humane.
Part two of an autobiographical trance trilogy: intimate experiments in queer documentary and improvisatory poetics
The Anatomy of Harpo Marx is a luxuriant, detailed play-by-play account of Harpo Marx's physical movements as captured on screen. Wayne Koestenbaum guides us through the thirteen Marx Brothers films, from The Cocoanuts in 1929 to Love Happy in 1950, to focus on Harpo's chief and yet heretofore unexplored attribute-his profound and contradictory corporeality. Koestenbaum celebrates the astonishing range of Harpo's body-its kinks, sexual multiplicities, somnolence, Jewishness, "e;cute"e; pathos, and more. In a virtuosic performance, Koestenbaum's text moves gracefully from insightful analysis to cultural critique to autobiographical musing, and provides Harpo with a host of odd bedfellows, including Walter Benjamin and Barbra Streisand.
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