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Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field.New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume engage with a wide range of subject matter, from as far back as Livy (d.c.AD 12/18) to Erwin Panofsky (d. 1968). They demonstrate that medieval textual cultures is a radically negotiable category and that medieval understandings of the past were equally diverse and unstable.They reflect on relationships between history, texts, and truth from a range of perspectives, from Foucault to "e;truthiness"e;, a twenty-first-century media coinage. Materiality and the technical crafts with which humans engage withthe natural world are recurrent themes, opening up new insights on mysticism, knighthood, and manuscript production and reception. Analysis of manuscript illuminations offers new understandings of identity and diversity, while a survey of every thirteenth-century manuscript that contains English currently in Oxford libraries yields a challenging new history of script. Particular texts discussed include Chretien de Troyes's Conte du Graal, Richard Rolle's Incendium amoris and Melos amoris, and the Middle English verse romances Lybeaus Desconus, The Erle of Tolous, Amis and Amiloun, and Sir Gawain and the Green Knight.
This book is an extended investigation of the anticlericalism of the medieval English poem Piers Plowman.
An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume engage with the relations between humans and nonhumans; the power of inanimate objects to animate humans and texts; literary deployments of medical, aesthetic, and economic discourses; the language of friendship; and the surprising value of early readers' casual annotations. Texts discussed include Beowulf, works by Rolle, Chaucer, Langland, Gower, and Lydgate; lyrics of the Occitan troubadour Marcabru and the French poet Richard de Fournival; and the Anglo-Saxon versions of Boethius's De Consolatione Philosophiae and Augustine's Soliloquia. Wendy Scase is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; David Lawton is Professor of English at Washington University, StLouis; Laura Ashe is Associate Professor of English at Worcester College, Oxford. Contributors: Diane Cady, Aaron Hostetter, Boyda Johnstone, R. Jacob McDonie, Michael Raby, Joe Stadolnik, Spencer Strub, Eliza Zingesser,
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