Books by Wilkie Collins

The Woman in White (1859-60) is the first and greatest "Sensation Novel." Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. This new critical edition is the first to use the original manuscript of the novel. John Sutherland examines Collins's contribution to Victorian fiction, traces his practices as a creator of plot, and provides a chronology of the novel's complicated events.

Natalie Graybrooke elsker sin fætter Launcelot Linzie, men er af sin fader blevet lovet til den betydelig ældre mr. Turlington, som hun afskyr. Turlington poserer som succesrig forretningsmand, men i virkeligheden er i dyb gæld og er kun ude efter hendes formue for at kunne redde sig selv. I plottet indgår desuden en bortførelse, et hemmeligt ægteskab og et mord - mere skal ikke afsløres her.

Collins var en nær ven af Dickens - men ikke på højde med denne. Han var "opfinderen" af den første egentlige kriminalroman, nemlig Månestenen (The Moonstone) - Armadale kan ligeledes kaldes en kriminalroman.Collins was a close friend of Dickens - but not on par with this. He was the "inventor" of the first true detective novel, namely Moon Stone (The Moonstone) - This novel has a convoluted plot about two distant cousins both named Allan Armadale. The father of one had murdered the father of the other (the two fathers are also named Allan Armadale). The story starts with a deathbed confession by the murderer in the form of a letter to be given to his baby son when he grows up. Many years pass.

Die Klassiker des Horror-Genres von Poe über Stevenson bis Bram Stoker kommen in dieser Sammlung zu Wort. Ihre Erzählungen sind der schauerlichen Romantik verbunden, dem Übernatürlichen, welches sich der wissenschaftlichen Erklärung widersetzt: Geheimnisvoll wirken zerstörerische Kräfte im Abgrund der menschlichen Seele. Doch kann das Schauerliche auch hinüberreichen ins Bizarre, Absurde, Groteske. Und dann entsteht ein Humor, den man getrost makaber nennen darf. Gruselgeschichten, die jeder mag.

The Yellow Mask (1887) is a novel by Wilkie Collins. Written toward the end of his life, The Yellow Mask recaptures some of the author¿s trademark sense of mystery and psychological unease that made him a household name around the world. Recognized as an important Victorian novelist and pioneer of detective fiction, Wilkie Collins was a writer with a gift for thoughtful entertainment, stories written for a popular audience that continue to resonate with scholars and readers today. Father Rocco is a Catholic priest in the Italian city of Pisa. Through his brother, a sculptor and teacher, he becomes aware of Count Fabio D¿Ascoli, a wealthy heir and an eager student of art. Vindictive and ruled by jealousy, Rocco fabricates a story accusing D¿Ascoli¿s family of stealing from the Church centuries before. Determined to obtain the D¿Ascoli fortune, Father Rocco creates a rift between the Count and his young lover Nanina, then places his innocent niece Maddalena in a position to marry D¿Ascoli. When Maddalena dies in childbirth, however, a strange figure in a yellow mask begins haunting her distraught widower, driving him to the brink of insanity. Beyond its sensational plot, The Yellow Mask is a novel that effectively critiques the institution of marriage and the morality of leaders in the Roman Catholic Church. Collins¿ novel is a masterpiece of Gothic horror and mystery for seasoned readers of Victorian fiction and newcomers alike. With a beautifully designed cover and professionally typeset manuscript, this edition of Wilkie Collins¿ The Yellow Mask is a classic work of English literature reimagined for modern readers.

Nine O¿ Clock (1852) is a novel by Wilkie Collins. Written in the aftermath of Antonina (1850), his successful debut, Nine O¿ Clock finds the author honing the trademark sense of mystery and psychological unease that would make him a household name around the world. Recognized as an important Victorian novelist and pioneer of detective fiction, Wilkie Collins was a writer with a gift for thoughtful entertainment, stories written for a popular audience that continue to resonate with scholars and readers today. At the height of the French Revolution, a group of prisoners awaiting execution is given the chance at one last night with friends and family. Elated, they feast and drink with their loved ones, exchanging stories of the past and even cracking jokes on the infamous guillotine, the very instrument of death they will face in the morning. Despite this general sense of hopeless joy, one man, Duprat, avoids the trend toward gallows humor, refusing to speak on the subject. Pressed by his friend Marginy, however, a change comes over Duprat, who begins to reveal a strange foresight of his own impending doom. Beyond its sensational plot, Nine O¿ Clock is a masterpiece of Gothic horror and mystery for seasoned readers of Victorian fiction and newcomers alike. With a beautifully designed cover and professionally typeset manuscript, this edition of Wilkie Collins¿ Nine O¿ Clock is a classic work of English literature reimagined for modern readers.

An embattled inheritance, accusations of madness, scheming villainy and much more tie into the labyrinthine plot of one of the most celebrated and sensational novels of the Victorian era."A young man just beginning a new job in London meets with a strange woman on a moonlit road, offers her assistance getting into the city and then finds she may have just escaped an asylum. Hidden connections are unveiled between the family that employs the young man and the mysterious woman, pulling the reader into a suspenseful web of plots within plots, theft, betrayal, mistaken identities and attempted murder. Punctuating his dramatic narrative with sharp suspense and sudden moments of revelation that provide shock and understanding in equal measure, Wilkie Collins was pioneer of the literary thriller. In 1859, when serialized in Charles Dickens magazine, All the Year Round, crowds lined up to buy each installment of The Woman in White. Modern readers will be grateful to have the entire text at hand as the author's remarkable storytelling skills retain their power to ensnare, enchant and keep the pages turning toward the unpredictable conclusion.With an eye-catching new cover, and professionally typeset manuscript, this edition of The Woman in White is both modern and readable.

Sisters Magdalen and Norah Vanstone's lives are dismantled when their illegitimacy is made public, causing them to lose access to their family home and income. The women must fight to regain their financial footing, building a new legacy all their own.Following the deaths of their parents, Magdalen and Norah Vanstone learn they were legally single at the time of their births. This makes both daughters illegitimate and unable to collect their ample inheritance. Norah, the reserved older sister, attempts to make a life for herself as a governess. Yet Magdalen, who's young and rebellious, is determined to receive what's rightfully hers-by any means necessary.Initially published in 1862, No Name was ahead of its time with its depiction of relentless female agency. The novel has been praised for its forward-thinking protagonist who embodies the modern-day heroine. Over time, it's become a respected work alongside Collins' other notable titles including The Woman in White and Moonstone. With an eye-catching new cover, and professionally typeset manuscript, this edition of No Name is both modern and readable.

Allan Armadale makes a startling deathbed confession to be shared with his young son once he reaches adulthood-he murdered another man named Allan Armadale. It's a dark secret that inevitably looms over the child of the perpetrator and his victim. Before dying, Allan Armadale reveals that he previously killed a man also named Allan Armadale. It's a revelation meant for his young son who discovers the information as an adult. At this point, he's run away from his mother's home and is living under the assumed name--Ozias Midwinter. While traveling, Midwinter encounters another Allan Armadale, who is the son of the man his father killed. The two become close friends and eventually meet one woman who will bring their checkered pasts two ahead.Wilkie presents a compelling portrait of Victorian society that's riddled by greed and narcissism. Armadale is a multilayered story of resilience in the face of generational trauma. The story follows two men navigating the sins of their fathers to find true love and friendship. With an eye-catching new cover, and professionally typeset manuscript, this edition of Armadale is both modern and readable.

Isaac träumt von einer Frau: Sie steht am Fußende seines Bettes mit erhobenem Messer, um ihn zu erstechen. Jahre später heiratet er – doch die Ehe wird nicht glücklich. Eines Nachts erwacht er, und seine Frau droht ihn zu erstechen, wie in dem alten Traum. Er flieht und hat seitdem keine Ruhe, kann nicht mehr schlafen... Wird sie ihn finden? Wilkie Collins besitzt nicht nur ein großes Gespür für gruselige Szenarien, sondern bindet auch meisterhaft Elemente der Detektiv- und Kriminalliteratur in seine Geschichten mit ein.

Gdyby nie jedno dziwne wydarzenie, ta relacja moglaby potoczyc sie zupelnie inaczej... Walter Hartright podczas wieczornego letniego spaceru spotyka kobiete ubrana na bialo, ktora potrzebuje pomocy w dotarciu do Londynu. Mlodzieniec spelnia jej prosbe. Po dotarciu na miejsce dowiaduje sie, ze pomagal uciekinierce ze szpitala psychiatrycznego. Nastepnego dnia wyjezdza do Limmeridge House, gdzie uczy rysunku dwie mlode dziewczyny. Laura do zludzenia przypomina kobiete w bialym ubraniu. Jeden z pierwszych w historii literatury kryminalow, laczacy elementy sensacji i romansu. Powiesc epistolarna, w ktorej tajemnicza historie poznajemy z wielu roznych perspektyw. Interesujaca pozycja dla milosnikow wspolczesnych ksiazek detektywistycznych oraz filmow Alfreda Hitchcocka.-

Cagney and Lacey may be the most iconic female detective duo, but who was the fictional female sleuth who started it all? Nancy Drew? Maybe Miss Marple? Nope – one of the first literary female detectives was Valeria Brinton, this novel’s heroin. "The Law and the Lady" is the trailblazing book that begins the whole detective genre.In this suspenseful Victorian story, something is amiss with Valeria’s new husband, Eustace. Valeria becomes suspicious during their honeymoon in Ramsgate on the Kentish coast. Back in London, Valeria digs deeper and discovers Eustace’s dark past.On the trail of truth, Valeria secretly investigates the legal proceedings surrounding Eustace to find her own evidence. After travelling to Edinburgh in Scotland, she unearths the answer that will rock the future of her marriage.Next time you’re getting into your favourite detective movie – deerstalker in hand – remember where it all started.London-born Wilke Collins (1824-1889) became known in Victorian England for his novels and plays, sometimes writing together with Charles Dickens. His most famous works, "The Woman in White" (1859) and "The Moonstone" (1868), are some of the first modern detective novels.

"You don’t have to put on the red light", as Sting sings – except this female main character, Mercy Merrick, comes to that conclusion herself. Originally written as a play, "The New Magdalen" is a classic Victorian sensation novel, highlighting the prejudices against a woman of the streets in English society.Mercy is at the frontline of the war in France when she meets Grace Roseberry, a traveller who is returning to England to connect with her wealthy English relative, Lady Roy, after being left penniless in Italy. Spotting an opportunity to change her life, Mercy cunningly takes Grace’s name. It’s a dramatic tale of a stolen identity amongst the upper classes, which would be right at home in the pages of "The Talented Mr. Ripley". Not only a thriller, this novel is a touching display of female friendship and unexpected romance, with twists in every chapter.London-born Wilke Collins (1824-1889) became known in Victorian England for his novels and plays, sometimes writing together with Charles Dickens. His most famous works, "The Woman in White" (1859) and "The Moonstone" (1868), are examples of the first modern detective novels.

You’ve probably read or seen a film based on an epistolary novel (a story presented through letters sent between characters): "Persuasion", "Dracula", and "The Perks of Being a Wallflower". You’ll also like "The Black Robe" if you want to get straight into a character’s thoughts from their letters, with compelling narration between the letters.Haunted by a death in Boulogne, Lewis Romayne returns to London where he meets Stella Eyrecourt, who falls in love with Lewis. Enter Father Benwell, a Catholic priest who wants to convert Lewis to Catholicism. He makes it his mission to stop a marriage between Lewis and Stella because Stella is Protestant.With the forces against them, Lewis and Stella then become embroiled in gripping events involving love triangles, Catholic authorities and inheritance. An insight into Victorian England’s angst surrounding the Catholic Church, this novel is ultimately about a love story against all odds.London-born Wilke Collins (1824-1889) became known in Victorian England for his novels and plays, sometimes writing together with Charles Dickens. His most famous works, "The Woman in White" (1859) and "The Moonstone" (1868), are examples of the first modern detective novels.

Kto by się spodziewał, że zaręczyny Agnieszki Lockwood i lorda Monberryego zostaną zerwane? Każdy, kto choć trochę poznał hrabinę Naronę, mógł oczekiwać takiego zakończenia. Tajemnicza, intrygująca, piękna i pewna siebie kobieta, która zarazem zachowuje w kontakcie lekki dystans - to istny wabik na mężczyzn. Kobieta puka do gabinetu lekarskiego lorda Monberryego z jasnym celem: uwieść i poślubić lekarza. Intryga, którą snuje, działa niezawodnie i nie oszczędza ofiar. Z biegiem czasu czytelnik poznaje jednak głębsze psychologiczne uzasadnienie tych zuchwałych działań. Postać hrabiny Narony to pierwszy tak wyrazisty portret tzw. "nowej kobiety" w literaturze wiktoriańskiej. William Wilkie Collins (1824-1889) - brytyjski pisarz i dramaturg, syn malarza Williama Collinsa. Jego książka "Kamień Księżycowy" jest uważana za pierwszą na świecie powieść detektywistyczną. Pisarz specjalizował się w tym gatunku, pozostawił po sobie 30 powieści (m.in. "The Woman in White", "Armadale" i "No Name") i ponad 60 opowiadań, które cieszyły się dużą popularnością i przyniosły autorowi sławę i bogactwo. Collins napisał także 14 dramatów i ponad 100 esejów. Przyjaźnił się z Karolem Dickensem. Alfred Hitchcock wymieniał powieści Collinsa wśród tekstów, które były inspiracją dla jego twórczości filmowej.

Durant la prise de Srirangapatna, le colonel Herncastle a derobe la pierre de lune, un enorme diamant jaune incruste a l'origine dans une statue hindoue, et place sous la protection de trois brahmanes. De retour en Angleterre, la malediction s'abat sur lui. Alors qu'il sent la mort approcher, il offre en heritage le mysterieux bijou a sa niece, Rachel Verinder. Mais a peine en prend-elle possession, que le diamant lui est vole la nuit-meme, pendant son sommeil...Ce monument de la litterature est le premier roman policier moderne en langue anglaise. Il installe des elements du genre qui, aujourd'hui, constituent des incontournables : fausses pistes, detective, suspects innocentes... -

"The Fallen Leaves" is a British garage rock group that formed in Richmond, London in 2004. Their most commercially successful release was 2013's "If Only We'd Known" with their top hit being "Against the Grain" according to Spotify. And why this "American Psycho"-esque music monologue in the middle of a Wilkie Collins book description you might ask? Because this novel's protagonist, Amelius Goldenheart, might just be the original flamboyant lady killer (although only figuratively) and solicitor of prostitutes in Western Literature. Exiled from his Utopian community due to an illicit affair with an older woman, Amelius comes to London to enlist in the service of John Farnaby, a man of ill repute. He is immediately captivated by his employer's niece and soon our hero finds himself entangled in his new family's dark history. And if you thought Gilderoy Lockhear- sorry, Amelius Goldenheart, is one to turn a blind eye to misfortune and injustice, well, you are encouraged to read his ridiculous name again. A follow-up to this story titled "Second Series" was planned but ultimately never written. Novelist, playwright, genre pioneer, opium addict, mentee of Charles Dickens, magnificently bearded individual – dead Englishman Wilkie Collins (1824-1889) has many titles to his name. Having a knack for mystery and unconventional characters, Collins' biggest contribution to world literature comes in the forms of "A Women in White" (1859) and "The Moonstone" (1868), with the former being mentioned on his headstone while the latter is widely considered the first modern detective novel.

If you have ever come across the word "rogue" before, chances are you have either been playing video games, perused old X-Men comics or have overheard it as part of your aunt's vocabulary, while she was being cajoled over the phone by that slick, dapper mediterranean gentleman she met on her holiday in Barcelona. Shockingly, and somewhat regrettably, Wilkie Collins is less romantically inclined and resorts to using the word in its traditional sense of "a proper scoundrel". With character names such as "Frank Softly" and "Dr. Dulcifer", you would be forgiven for thinking that this story is a comedy (or a piece of pornography) but not quite so, although it does contain humorous elements. Frank Softly is unsuccessful in his career choices but manages to fall in love with the good doctor's daughter. Continuing his streak of questionable luck, Frank's new father-in-law turns out to be a professional fraudster – a business in which our happy-go-lucky protagonist unwillingly finds himself entangled, becoming the eponymous "rogue". A moment whose modern equivalent would be the point in the comic book movie where somebody says the film's title aloud. An uplifting tale of thwarted ambition and clandestine love, "A Rogue's Life" is a short novel originally published in "Household Words" in 1856 and in book form in 1879.Novelist, playwright, genre pioneer, opium addict, mentee of Charles Dickens, magnificently bearded individual – Englishman Wilkie Collins (1824-1889) has many titles to his name. Having a knack for mystery and unconventional characters, Collins' biggest contribution to world literature comes in the forms of "A Women in White" (1859) and "The Moonstone" (1868), with the former being mentioned on his headstone while the latter is widely considered the first modern detective novel.

In case you've never taken a moment to stop looking at cat videos and arguing with strangers on the Internet to appreciate the readily accessible cornucopia of collected human knowledge that your phone *also* provides, reading classic literature really puts the global network into perspective. Dickens, Bronte, Austen, Conan Doyle, Nesbith... all sitting huddled over their desks in either London or the English countryside, writing stories set in the great manors of Yorkshire, on the shores of Sussex or in the working-class district of the capital. And in addition to all taking place a stone's throw away, they are all pretty much contemporary. Sure, write what you know, but still... tis a bit boring, innit? Can't *somebody* expand the world just a tiny bit for an audience with neither affordable travel or a 5G connection? Enter Big Willy C.In this his first published novel, Collins tackles two conflicts in the Rome of 408 AD: Paganism vs. Christianity and the titular hero, the daughter of a Christian Roman zealot, Antonia vs. Goisvintha - a Goth survivor of a Roman massacre. And when mild-mannered Antonia ends up captured by Goisvintha's brother during a siege, a tale of betrayals, sex and cat and mouse can truly unfold. It's not giant mech battles on distant planets exactly, but for 1850 English literature, this is pretty darn exotic.-

Williamilla on onnea, kun han paasee palvelijaksi herra ja rouva Norcrossin talouteen. Onhan perhe rikas ja hyvamaineinen. Kun herra Norcross menehtyy, nuori leski jaa asuttamaan suurta maatilaa palvelijoiden kanssa. Rouva Norcrossilla riittaa kosijoita. Williamin yllatykseksi leski ei kuitenkaan valitse uudeksi puolisokseen hyvamaineista herrasmiesta, vaan lipevan James Smithin. Kukaan ei silti aavista, minkalaisia kauheuksia Smithin historiaan kuuluu..."e;Eraan perheen tarina"e; on Wilkie Collinsin jannittava pienoisromaani.-