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A critique of the objectivity of scientific knowledge. The author argues that scientific knowledge is primarily an effort at social legitimation, and that its conceptual incoherence as knowledge is now becoming ecological incoherence as social practice.
Explains the Western's popularity. This study deals with the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. It takes you into the movies, and sagebrush of the cinema.
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