Books by William Golding

A plane crashes on an uninhabited island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued.

Since it was first published in 1954, William Golding's classic debut novel has remained a stark allegory of civilization, survival, and human nature. As dystopian stories like Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned. When a plane crashes on a remote island, a small group of schoolboys are the sole survivors. From the prophetic Simon and virtuous Ralph to the lovable Piggy and brutish Jack, each of the boys attempts to establish control as the reality- and brutal savagery-of their situation sets in.A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond. The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be. Often compared to Catcher in the Rye, Lord of the Flies also represents a coming-of-age story of innocence lost.

Oliver is eighteen and wants to enjoy himself before going to university. But this is the 1920s and he lives in Stilbourne, a small English country town where everyone knows what everyone else is getting up to, and where love, lust and rebellion are closely followed by revenge and embarrassment.

The second volume of William Golding's Sea TrilogyIn a wilderness of heat, stillness and sea mists, a ball is held on a ship becalmed halfway to Australia. In this surreal, f,te-like atmosphere the passengers dance and flirt, while beneath them thickets of weed like green hair spread over the hull. The sequel to Rites of Passage, Close Quarters, the second volume in Golding's acclaimed sea trilogy, is imbued with his extraordinary sense of menace. Half-mad with fear, with drink, with love and opium, everyone on this leaky, unsound hulk is 'going to pieces'. And in a nightmarish climax the very planks seem to twist themselves alive as the ship begins to come apart at the seams.

The first volume of William Golding's Sea Trilogy.Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, sinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

Winner of the James Tait Black Memorial PrizeDarkness Visible opens at the height of the London Blitz, when a naked child steps out of an all-consuming fire. Miraculously saved but hideously scarred, soon tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him, twins as exquisite as they are loveless. Toni dabbles in political violence; Sophy, in sexual tyranny. As Golding weaves their destinies together, his book reveals both the inner and outer darkness of our time.

'...the folly isn't mine. It's God's Folly. Even in the old days He never asked men to do what was reasonable. Men can do that for themselves. They can buy and sell, heal and govern. But then out of some deep place comes the command to do what makes no sense at all - to build a ship on dry land; to sit among the dunghills; to marry a whore; to set their son on the altar of sacrifice. Then, if men have faith, a new thing comes.'Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.

Weathering lightning strikes of memory, he must now reconstruct his fate - piece by terrible piece. 'Wizardry of the first order.' Observer'Terrifying .

When the spring came the people - what was left of them - moved back by the old paths from the sea. But this year strange things were happening, terrifying things that had never happened before. Inexplicable sounds and smells; new, unimaginable creatures half glimpsed through the leaves. What the people didn't, and perhaps never would, know, was that the day of their people was already over...

The third volume of William Golding's Sea TrilogyA decrepit warship sails on the last stretch of its voyage to Sydney Cove. It has been blown off course and battered by wind, storm and ice. Little but rope holds the disintegrating hull together. And after a risky operation to reset its foremast, an unseen fire begins to smoulder below decks.

Fame, success, fortune, a drink problem slipping over the edge into alcoholism, a dead marriage, the incurable itches of middle-aged lust. For Wilfred Barclay, novelist, the final unbearable irritation is Professor Rick L. Tucker, implacable in his determination to become The Barclay Man. Locked in a lethal relationship they stumble across Europe, shedding wives, self-respect and illusions. The climax of their odyssey, when it comes, is as inevitable as it is unexpected.

William Golding's final novel, left in draft at his death, tells the story of a priestess of Apollo. Arieka is one of the last to prophesy at Delphi, in the shadowy years when the Romans were securing their grip on the tribes and cities of Greece. The plain, unloved daughter of a local grandee, she is rescued from the contempt and neglect of her family by her Delphic role. Her ambiguous attitude to the god and her belief in him seem to move in parallel with the decline of the god himself - but things are more complicated than they appear.

YORK NOTES ADVANCED - THE ULTIMATE LITERATURE GUIDES.

A new one-volume edition of this classic sequence of sea novels set in the early nineteenth century, about a voyage from England to Australia.Rites of Passage (Winner of the Booker Prize)'The work of a master at the full stretch of his age and wisdom.' The TimesClose Quarters'A feat of imaginative reconstruction, as vivid as a dream.' Daily MailFire Down Below'Laden to the waterline with a rich cargo of practicalities and poetry, pain and hilarity, drama and exaltation.'Sunday Times

Efter en flyulykke strander en flok engelske skoledrenge på en øde koralø. Her forsøger de at skabe et civiliseret demokratisk samfund, hvilket dog mislykkes, da primitive drifter og magtkampe bryder gennem den civiliserede fernis og barbariet tager over og afslører menneskets iboende ondskab. William Golding modtog Nobelprisen i 1983, og Fluernes herre er solgt i millioner af eksemplarer verden over og foreligger i utallige oversættelser. »Den sætter kræfter op mod hinanden, det formende og det opløsende, ånd og kaos, håbets afmagt og hadets styrke – alt afspejlet i et bundt drengesind, der kun ejer den nøgne eksistens. Bogen er dybt original.« - Niels Barfoed »Det er en rå og stærk fabel, besnærende enkel, uhyre allegorisk og dertil gedigent spændende. Det er en robinsonade … Det er en roman som er skrevet med arketypers styrke, intet mindre.« - Bo Green Jensen, Weekendavisen