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William Thackeray (1811-63) began as a journalist and produced his first critique in 1837, and his first novel in 1841. His association with Punch began in 1842 and articles continued until 1854. In 1851 he gave a series of lectures on 'The English Humourists of the Eighteenth Century' in cities around England and later the USA. This collection of potted biographies comprises Jonathan Swift; Congreve and Addison; Richard Steele; Prior, Gay and Pope; Hogarth, Smollet and Fielding; Sterne and Goldsmith. These seven lectures were delivered on Thackeray's American tour of 1852, but only the six lectures pertaining to English authors were published in England; the seventh - "Charity and Humour" - appeared here for the first time. These lectures were a great success with the Victorian public, and remain a witty, enjoyable and affectionate comment on the period by one of England's greatest writers.
When the Shabby Genteel Story was first reprinted with other stories and sketches by William Makepeace Thackeray, the following note was appended to it:"It was my intention to complete the little story, of which only the first part is here written. Perhaps novel-readers will understand, even from the above chapters, what was to ensue. Caroline was to be disowned and deserted by her wicked husband; that abandoned man was to marry somebody else; hence, bitter trials and grief, patience and virtue, for poor little Caroline, and a melancholy ending - as how should it have been gay? The tale was interrupted at a sad period of the writer's own life. The colors are long since dry; the artist's hand is changed. It is best to leave the sketch, as it was when first designed seventeen years ago. The memory of the past is renewed as he looks at it - die Bilder froher Tage Und manche liebe Schatten steigen auf." Mr. Brandon, a principal character in this story, figures prominently in The Adventures of Philip, under his real name of Brand Firmin; Mrs. Brandon, his deserted wife, and her father, Mr. Gann, are also introduced; thus The Adventures of Philip can be considered a sequel to A Shabby Genteel Story.
Stephen Fry narrates this BBC Radio 4 full-cast dramatisation of the famous Victorian comic novel. Orphan Becky Sharp and wealthy Amelia Sedley are best friends at Miss Pinkerton's Academy for Young Ladies. On leaving school, ambitious, social-climbing Becky looks for a rich man to support her, while the sweet-natured Amelia meets her old friend Dobbin, who is instantly captivated. Becky takes a job in the service of Sir Pitt Crawley, and uses her charm to hook his dashing son. However, marriage to Captain Rawdon of the Guards does not provide the fortune she seeks. Meanwhile, Amelia rejects the faithful Dobbin and becomes engaged to the handsome George Osborne - but destiny has some shocks in store for her, too. As time goes by, the girls' fortunes rise and fall. War, financial disaster and the ruin of her reputation leave the resourceful Beckyundaunted, but Amelia finds it harder to bear fate's blows. It will be many years before their story is played out, and their futures finally decided... William Makepeace Thackeray's classic satire of passion and ambition, first published in 1847 and 1848, is a deliciously ironic portrait of English society and its mores. This engaging 2004 radio production, published for the first time on audio, features a distinguished cast including Emma Fielding as Becky Sharp, Katy Cavanagh as Amelia and Toby Jones as Jos Sedley. Duration: 5 hours approx
After first appearing as a serial in brilliant yellow covers, Vanity Fair, 'a novel without a hero', was published in full in 1848. A panoramic and biting satire, it was the first of William Makepeace Thackeray's works to bear his own name. This edition includes his original illustrations and preface.
Set during the Napoleonic wars, Vanity Fair follows Becky Sharp as she cuts a swathe through Regency society. War, money, and national identity are the themes of Thackeray's great satirical novel, as it exposes a world on the make. In Becky, Thackeray created one of the most memorable female characters in Victorian fiction.
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