Books by Wolf Vanderlinden

"Ripper Notes: The Legend Continues" looks at the enduring mystery of the Jack the Ripper murders with essays covering the myths from the past that still survive today as well as the way modern enthusiasts keep the case alive. Wolf Vanderlinden starts things off with an in-depth look at Carl Feigenbaum, a convicted murderer whose own lawyer thought he was Jack the Ripper. Dan Norder tackles the concept of copycat killings and uncovers evidence that the Whitechapel murderer changed his methods to live up to his own legend. John Bennett examines top hats, black bags and other icons of the Jack the Ripper myth. Craig Hansen criticizes unrealistic attempts to romanticize the life of Ripper victim Mary Jane Kelly. Andrew Spallek investigates rail service between Blackheath and London to see if suspect Montague J. Druitt can be placed in the East End around the times of the murders. Jonathan Menges dissects recent claims that DNA has proven Dr. Hawley Crippen innocent of the death of his wife. Bernard Brown examines the Thomas Street Murder of 1894. In addition to the regular news briefs and book reviews, there is also detailed coverage of the 2007 Ripper conference, the Trial of James Maybrick and Frogg Moody's Ripper-themed rock opera. Profusely illustrated with rarely-seen images, Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case and other murders of Victorian era.

"Ripper Notes: Written in Blood" is a collection of essays about the famous unidentified serial killer Jack the Ripper and related topics. Julie Stangeland starts things off with a look at a rarely-seen photograph of the Whitechapel division of London's Metropolitan Police in which, the author argues, Inspector Frederick Abberline can be identified here for the first time. David A. Green then names John Barlas, a Victorian decadent poet and anarchist who was locked up in asylums for the rest of his life shortly after the Whitechapel murders, as the previously unknown lunatic Ripper suspect described in a contemporary newspaper account. Vance McLaughlin follows with a look at three early serial killers in the United States who wrote messages to police and their victims' families. John Bennett reports on his first-hand examination of a 'Dear Boss' letter signed Jack the Ripper and dated September 17, 1888, but that may be a modern hoax slipped into the National Archives to mislead researchers. Tom Wescott has two essays: the first compares the wounds on Polly Nichols, the first canonical Ripper victim, to other area murders, and the second examines the various individuals named "McCarthy" living on Dorset Street in London's East End to try to determine which was the landlord of victim Mary Jane Kelly. Don Souden then argues that John McCarthy was not just a grocer but also Kelly's pimp, and Stephen P. Ryder contributes some Victorian letters to the editor discussing the problems of pimps of prostitution. Dan Norder presents four period paintings to see if a conclusion can be made about which, if any, was featured in "The Fisherman's Widow" print found in Kelly's room at the time of her death. Wolf Vanderlinden reports from the 2006 Jack the Ripper conference in Baltimore, Maryland; Kelly Robinson reviews a production of Chris George and Erik Sitbon's "Jack - The Musical" in Charlotte, North Carolina; and various writers critique a number of recent Ripper books and DVD. Profusely illustrated with photos and engravings from the Victorian era, Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case.

"Ripper Notes: America Looks at Jack the Ripper" is a collection of essays about the notorious Whitechapel serial killer and related topics. It leads of with a newly discovered and never before republished 1892 interview with Assistant Commissioner Robert Anderson of Scotland Yard. Anderson was a very important figure in the investigations, and made statements later in life that the killer had been identified and put into an asylum. This article is accompanied by a short analysis showing why that is unlikely. Wolf Vanderlinden then gives an in-depth look at the suspects in the 1891 death of prostitute Carrie Brown in New York City, a case long connected by many to the earlier string of Ripper killings in the East End of London. This is followed by coverage of the 2004 U.S. Ripper Conference, including essays by John Hacker ("Jack the Ripper and Technology: Ripperology in the Twenty-First Century") and Stan Russo ("The Strange Case of Dr. Hewitt," which questions why some suspects are treated more seriously than they probably should be) adapted from their presentations there. A number of shorter pieces by various authors follows. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper murder case.

"Ripper Notes: Madmen, Myths and Magic" is a collection of essays about the notorious Whitechapel serial killer Jack the Ripper and other topics that shed new light on the case. Jan Bondeson discusses "Serial Sadistic Stabbers" throughout history, including the interesting case of the London Monster, a man who stabbed women in London in the 18th century and who is in some ways a precursor to Jack the Ripper. Amanda Howard gives a short overview of serial killers who predate the Whitechapel murders of 1888. Wolf Vanderlinden follows with "The Supernatural Connection," a detailed study of the various psychics past and present who claimed to have otherworldly knowledge of the Ripper killings. Famed expert Paul Begg in "On The Matter of Milk" examines witness Mrs. Malcolm's testimony that she saw victim Mary Jane Kelly on the morning of her murder (after the time the doctors later told the police that Kelly must have already been killed) as she went to buy milk. Bernard Brown investigates the site of the murder of Jack the Ripper's first canonical victim, Mary Ann "Polly" Nichols, and uncovers a history of persecution of women in "The Witches of Whitechapel." Tom Wescott then explores a possible link between the Ripper murders, magic rituals desecrating Christian symbols, and the Lindbergh baby kidnapping tragedy. Dan Norder's "Connecting the Dots" explores the various theories that the Ripper crime scenes were chosen in advance in order to form a symbol, describing the various patterns that have been suggested and looking into the statistics to try to determine if they were a result of forethought or blind chance. Antonio Sironi then asks if the murder of the Elizabeth Stride, usually named by experts as the third victim, in Dutfield's Yard was a change in the Ripper's normal methodology. The essays are concluded with Roger Peterson's "Did Jack the Ripper Visit Leadville?" which chronicles an example of Ripper hysteria that reached all the way to a booming Colorado mining community in the United States not long after the Whitechapel murders. All of the articles are extensively illustrated with woodcuts, photos, diagrams and other illustrations. In addition, the back cover features a color map of the East End of London in the 19th century with the locations of the five generally accepted Jack the Ripper killings marked for easy reference. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper murder case.

"Ripper Notes: How the Newspapers Covered the Jack the Ripper Murders" is a collection of essays about press reports of the notorious Whitechapel serial killer as well as other related topics. "When the People Were in Terror" by Norman Hastings republishes for the first time a comprehensive series of early 20th century articles about the impact the Whitechapel murders had on society, from the police investigation of the crimes to the fear that gripped the public. "The Murder in Cartin's Court" by Don Souden looks at how the early newspaper reports seriously bungled the facts of the death of Mary Jane Kelly, the fifth (and last) of the canonical five Ripper victims. "The London Police: The View from the Irish Press" by Alan Sharp examines how journalists reacted to the police investigation, concentrating on reports printed in Ireland. Other contents include Stewart P. Evans with new information on the legends that psychic Robert Lees solved the case, Wolf Vanderlinden looking for the meaning behind several contemporary newspaper reports, and several other short pieces. Ripper Notes is a nonfiction anthology series covering all aspects of the Jack the Ripper case.