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This book analyses the relationship between cinema and modernity in Bangladesh. It investigates the roles of a non-western 'national' film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments, and analyses the political, economic and cultural forces that have been active in shaping Bangladesh cinema. The author explores how the conflict among different social groups turned Bangladesh cinema into a site of contesting identities during the twentieth century and beyond.
Analyses the relationship between cinema and modernity in Bangladesh. This book investigates the roles of a non-western 'national' film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments, and analyses the political, economic and cultural forces that have been active in shaping Bangladesh cinema.
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